Music listeners, philosophers, and researchers
نویسندگان
چکیده
منابع مشابه
Even background music can affect listeners.
We breathed a sigh of relief when we read Ms. Cameron's Jetter to the editor (October 1992 AJOT, p. 955) responding to the article "Should Music Be Used Therapeutically in Occupational Therapy'" (March 1992 AJOT, pp. 275-277). A number of us (music therapists) who work side by side with occupational therapists were concerned regarding the general direction of the original article, which indicat...
متن کاملMusic evokes vicarious emotions in listeners
Why do we listen to sad music? We seek to answer this question using a psychological approach. It is possible to distinguish perceived emotions from those that are experienced. Therefore, we hypothesized that, although sad music is perceived as sad, listeners actually feel (experience) pleasant emotions concurrent with sadness. This hypothesis was supported, which led us to question whether sad...
متن کاملListeners ’ Bodies in Music Analysis : Gestures , Motor Intentionality , and Models *
In this article I demonstrate how listeners understand musical processes with their bodies, and how their gestures can be used to build analytical models. Specifically, I draw on the phenomenology of Maurice Merleau-Ponty to argue that situated, active listeners project their motor intentional gestures inside music, where they reconstitute the very nature of musical space and its objects accord...
متن کاملInfluence of music and music preference on acceptable noise levels in listeners with normal hearing.
Acceptable noise level (ANL) is defined as the maximum level of background noise that an individual is willing to accept while listening to speech. The type of background noise does not affect ANL results with the possible exception of music. The purpose of this study was to determine if ANL for music was different from ANL for twelve-talker babble and investigate if there was a correlation bet...
متن کاملListeners lengthen phrase boundaries in self-paced music.
Previous work has shown that musicians tend to slow down as they approach phrase boundaries (phrase-final lengthening). In the present experiments, we used a paradigm from the action perception literature, the dwell time paradigm (Hard, Recchia, & Tversky, 2011), to investigate whether participants engage in phrase boundary lengthening when self-pacing through musical sequences. When participan...
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ژورنال
عنوان ژورنال: Physics of Life Reviews
سال: 2013
ISSN: 1571-0645
DOI: 10.1016/j.plrev.2013.06.003